Bio: Bernard Shaw, born in Dublin in 1856, was essentially shy, yet created the persona of G.B.S., the showman, controversialist, satirist, critic, pundit, wit, intellectual buffoon and dramatist. Commentators brought a new adjective into the English language: Shavian, a term used to embody all his brilliant qualities.

After his arrival in London in 1876 he became an active Socialist and a brilliant platform speaker. He wrote on many social aspects of the day: on Commonsense about the War (1914), How to Settle the Irish Question (1917), and The Intelligent Woman's Guide to Socialism and Capitalism (1928). He undertook his own education at the British Museum and consequently became keenly interested in cultural subjects. Thus his prolific output included music, art and theatre reviews which were collected into several volumes: Music In London 1890-1894 (3 vols., 1931); Pen Portraits and Reviews (1931); and Our Theatres in the Nineties (3 vols., 1931). He wrote five novels and some shorter fiction including The Black Girl in Search of God and some Lesser Tales and Cashel Byron's Profession.

He conducted a strong attack on the London theatre and was closely associated with the intellectual revival of British theatre. His many plays fall into several categories: 'Plays Pleasant'; 'Plays Unpleasant'; comedies, chronicle-plays, 'metabiological Pentateuch' (Back to Methuselah, a series of plays) and 'political extravaganzas'. G.B.S. died in 1950.

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Dark Lady of the Sonnets
I had better explain why, in this little piece d'occasion, written for a performance in aid of the funds of the project for establishing a National Theatre as a memorial to Shakespear, I have identified the Dark Lady with Mistress Mary Fitton. First, let me say that I do not contend that the Dark Lady was Mary Fitton, because when the case in Mary's favor (or against her, if you please to consider that the Dark Lady was no better than she ought to have been) was complete, a portrait of Mary came... more info>>
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